![]() The piano is not really in the language of the Game of Thrones score. Miguel brought it up: “What about the piano?” We discussed it. ![]() Any kind of character theme could tip it, and we didn’t want to tip the audience. When we started the season, and Miguel Sapochnik, the director of the episode, reached out to me and said, “There’s something coming up in episode 10.” We talked about “The Light of the Seven,” and how it needed to be a new piece of music. The interesting thing to me was the use of the piano. What were your initial ideas in approaching this piece? 'Game of Thrones' Finale: "The Winds of Winter" Brings Season 6 to an Explosive End The ensuing fireworks serve as an explosive payoff to the season’s deliberately paced King’s Landing story, and sets the standard for everything else that unfolds during the finale. All this plays out as the characters at Cersei’s trial gain more and more information about their dire circumstances - too little too late. Away from the flames, children stalk through the dark, gruesomely stabbing Grand Maester Pycelle (Julian Glover) to death and wounding Lancel Lannister (Eugene Simon) as well. She destroys the Sept of Baelor with a carefully placed, slow-fuse batch of wildfire, incinerating Margaery Tyrell (Natalie Dormer), the High Sparrow (Jonathan Pryce) and more. The opening minutes of Game of Thrones‘ sixth season finale center on Cersei obliterating her enemies with fluorescent fire, a plot that slowly unfolds over the course of 10 tense minutes. Orchestrating a wildfire attack is hard work, even if Cersei Lannister (Lena Headey) makes it look like a walk in the park.
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